Mortal Stakes by Robert B. Parker

My rating: 4 of 5 stars


BOTTOM LINE: This third Spenser story is a tidy PI tale centered around baseball, porno movies, and blackmail, mixed with a good deal of information about what makes Spenser "tick". A bit old-fashioned seeming now, but still powerful - and entertaining. Three-and-one-half stars, but I don't know how to give a rating of a half-star.

Marty Rabb is a terrific pitcher, and with him on the mound it looks like Spenser's (and my) beloved Red Sox are going places. Plus he seems to be, PR-wise, one of the original good guys, a kindly, not too bright jock, with all the best components of that sort of man, including a high sense of personal honor, and a joy of "playing the game" that's very old-style honorable. (and seems rather innocent now). But now there's a nasty rumor going around that somebody on the team is throwing games, and it might be good-guy Marty; the PR department hires Spenser to find out the origin of the rumor, and if there's any truth to it.

Spenser turns up lots of creepy-crawly stuff by turning over lots of rocks, and meeting with some extremely questionable folks, and we come along with him every step of the way. It's mostly first-person narration/description throughout, and it's smoothly done, in the best PI tradition. And the tone of this nicely written, old-fashioned novel does seem rather innocent when compared with mores of the current day, but I enjoyed tripping back to a time (and place) when I, too, wanted to believe in The Good Guys and their ways.

There's a good deal of examination of Spenser's rules for living and his code-of-honor and, indeed, he certainly fits the stereotype of White Knight PI to a T. And we love him for it. Plus the plot is tidily resolved, and not too sweetly neither. And, as an extra nice little bit, we get to watch Spenser and Susan's relationship developing - it's early days as yet, and she hasn't yet developed many of the quirks that make her so annoying in some of the later novels. Here she's still funny, sharp-witted (and sharp-tongued), and a nice foil to and for Spenser. All-in-all, this third Spenser novel is quietly forceful, rather like Spenser himself.





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A Man Lay Dead by Ngaio Marsh

My rating: 4 of 5 stars


BOTTOM LINE: Thoroughly old-fashioned "good read!", with an aristo-detective, all the suspects gathered in A Great House for a weekend house party, a peculiar murder method, wild Bolsheviks complicating everything, family intrigues galore, an affable-but-dim Watson - what's not to like? First mystery novel (1934) from a now-classic author isn't challenging, brilliant, or particularly special, but is still entertaining, giving a hint of her good books yet to come and, as is usual with Marsh, there are nicely pointed sly digs here'n'there.



Nigel Bathgate's cousin Charles is a bit of a dog - loving the pursuit of ladies rather too much, he enjoys playing with fire, and gets burned, in many ways. He loses a girlfriend/possible wife (who truly loves him) while in pursuit of an already-married woman, whose current husband isn't much pleased. And while remaining rather likable (at least in callow Nigel's eyes) his superscilliousness and air of "I know better/all!" gets on not a few raw nerves during an extended house party. And not many are surprised when, in the course of A Murder Game, he winds up truly dead - and in a spectacular (how like Charles!!) fashion.



Enter Inspector Alleyn - obviously refined, very well-educated, extremely likable, his smooth demeanor hides a mildly tormented psyche, as he finds he must expose Nice People to the machinations of the police force and its subsequent events, some not at all well-mannered. With these attributes Alleyn, in Marsh's first novel, is quite ordinary, an oft-used character in popular novels of the time, and although in future novels he becomes a rather interesting personality with a fascinating backstory, in this his first recorded case he is quite traditional, and rather stodgy. And while in subsequent novels Marsh builds up the cast of regulars around Alleyn (especially the wonderful Mr. Fox), here he's pretty much the entire show, except for a funny local policeman named Bunce - yet another character that often shows up in mysteries from the 1920s and early 1930s.



The plotting, while good, is also quite ordinary for the period - a stilted setting, a twisted murder mystery with overlapping elements of several crimes, a bit of spy-thriller nonsense, some slight omnipotence from the police, and a thoroughly ludicrous bit of play-acting-cum-reconstruction of the crime at the end. But it's all very smoothly written, and while now a curiosity, at the time "this sort of thing" was quite popular.



Now considered one of the Queens of Crime of the period (along with Christie and Allingham), Marsh's first mystery is still enjoyable, if not special or especially thrilling.



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